Eric Nelson's treatment of this Norwegian favorite is extraordinary! Thoughtful choral writing brings out the most in the choir, and the piano part is creative and lush, particularly in the interludes. The
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This sensitive setting of the spiritual KUM BAH YAH is not to be missed. In one spot the piano plays a guided improvisation over the choir singing neutral syllables. In another there is the option to sing
Commonly used as symbolism in Christian texts, river imagery inspired this pairing of It is Well (When Peace Like a River) and Shall We Gather at the River. Together they combine to
This uplifting and encouraging text is set simply and effectively with an accompaniment that is both sensitive and gently rhythmic. The optional oboe and violin parts add a lyrical touch. A wonderful choice
A welcome "big choral" setting of a classic spiritual, this unaccompanied setting has divisi in all parts, a touch of chromaticism that is totally in character, and plenty of variation in texture, tempo,
This unison arrangement of the well-known chorus from Handel's "Messiah" was originally written for children voices, but can be equally effective for mature voices. Some of the melismatic passages are
Telemann's brilliant accompanied canon for three treble voices uses a text from Psalm 34. This edition offers text options in English and German for worship or concert settings. A fine example of the